EMPIRE Distribution began as a digital distribution company, founded by Ghazi Shami in San Francisco, designed to give artists direct access to digital revenue and ownership of their work. Over time the company evolved into a full-fledged label, publisher and distribution network operating internationally, with multiple offices and subdivisions. The approach of pairing technology infrastructure with music-industry know-how enabled EMPIRE to compete with major labels while retaining independent roots.

From its early work supporting artists in the Bay Area to global distribution deals, the company’s growth underscores what an independent platform can achieve when it combines strategic vision with operational scale.

EMPIRE’s business model centers on three core pillars: distribution services, label operations and publishing. By integrating these functions, the company enables artists to retain more control over their work and revenue streams, while the label leverages scale to negotiate broader market access. The company has published and distributed music across genres—hip-hop, R&B, Latin, Country and Afrobeats—demonstrating adaptability and global relevance. Their investment in infrastructure—both digital tools and physical real-estate—reflects a long-term orientation rather than short-term hype.

As EMPIRE expands, it is executing on a global footprint and diversified asset base. The label is active across continents, with distribution and publishing partnerships in London, Lagos, Johannesburg and beyond. Its ability to sign and support artists who appeal to worldwide markets positions it as a serious alternative to major label dominance. Looking ahead, EMPIRE is expected to focus on building integrated services that combine branding, artist development and direct-to-fan engagement. Such a path places the company at the forefront of the next phase in the music business—where independence, technology and ownership collide.